The pedigree of this exhibition is the pedigree of artists and paintings. It is different from the pedigree of Foucault, but I have a rough understanding and reading of Foucault's pedigree. Some of them are very similar, and they seem to be related to me. The genealogical approach used by Foucault is, first, parody. Parody breaks the sacred and solemnity of monumental history and the taboos and dogmas of the scientific, empirical, realistic, and objective nature of history , Breaking the irreversibility and irreproducibility of history. Parody is a kind of "happy science" that Nietzsche calls, and it takes part in history with a carnival of singing and dancing. Secondly, the critical approach is event analysis and discontinuity analysis. Eventization treats objects as a complex system composed of a variety of various factors, as accidental, discontinuous, and heterogeneous events. The Internet has thus broken the conservative philosophy of treating historical objects as an identity, a law, a taboo, and an essentialism.
Lou Shenyi, born in Shangyu, Zhejiang, in 1973, currently lives and works in Hangzhou.
"As an ancient art, painting is so simple and difficult to read. In different regions, different races, and different cultural backgrounds, painting has very different standards, even in different periods of the same artist, different types In the works, the author is also likely to have contradictory demands for painting; the practice of different standards and different demands has derived a mixed painting pedigree. "